Exit Liberté a la Francois! or Buonaparte closing the Farce of Egalité, at St. Cloud (James Gillray)

Exit Liberté a la Francois! or Buonaparte closing the Farce of Egalité, at St. Cloud (James Gillray)

A hand-coloured etching published eleven days after the 18 Brumaire coup shows Bonaparte and his grenadiers clearing the Council of Five Hundred from the Orangery at St. Cloud at bayonet point, beneath a banner reading 'Vive le Triumvirat' and a drum labelled 'Vive la Liberté'. The tell is the title's label 'the Farce of Egalité' set against the bayonets, while the deputies and soldiers are distorted and Bonaparte himself is drawn calm and upright.

Date
November 21, 1799
Period
Pre-1914
Made by
James Gillray (artist), published by Hannah Humphrey, London
Region
Western and Central Europe
Country
Kingdom of Great Britain
Medium
Print
Issuer type
Individual
Regime
Pitt Government
Leader
William Pitt the Younger
Audience
Domestic public
Purpose
Persuade or win support
Themes
War and the military, Elections and party politics
Event
Coup of 18 Brumaire
Techniques
Name-calling
Source
Identified Openly sourced: the speaker is who they say they are
Source
Library of Congress, retrieved September 29, 2026
Rights
Public domain (published 1799, before 1931; LoC rights statement: No known restrictions on publication)
Library of Congress Prints and Photographs Division, Art Wood Collection of Caricature and Cartoon, LC-DIG-ppmsca-07510

Text on the object

Original (English) · read from the image, not independently checked

EXIT LIBERTÈ a la FRANCOIS! _ or _ BUONAPARTE closing the Farce of Egalité, at St. Cloud near Paris Novr. 10th 1799.
Js Gillray inv & fect
London Publish'd Novr. 21st 1799. by H. Humphrey 27 St. James's Street

[banner:] Vive le Triumvirat Buonaparte Seyes - Ducos
[drum:] Vive la Liberté
[papers on the floor:] Resignation des Directoires
Un Liste de Membres du Conseil des Cinque Cents

The imprint line inside the plate is faint; the date and address match the Library of Congress record (published 21 November 1799). The handwritten 'Buonaparte' and '96' in the upper margin are collector annotations and are omitted.