Content note. Several American cartoons of 1896 to 1900 use racial caricature of Cubans, Filipinos, Hawaiians, Puerto Ricans and Black Americans, one cartoon shows a brutal figure of Spain trampling a child, and one photograph shows two dead Filipino soldiers. They are shown as issued, as evidence of what each side told its public. Showing an item is not endorsing it.
What was Spanish-American War propaganda?
Spanish-American War propaganda is the cartoons, front pages, prints and notices that argued for, against or about the war of 1898 between the United States and Spain, and the Philippine war that followed. The archive holds American newspaper and magazine items, two Spanish magazine cartoons, a Cuban-cause print and one Filipino decree, and tags each by technique.

Newspaper coverage of the Maine, 1898
The battleship USS Maine exploded in Havana harbour on 15 February 1898. Two days later, before the Navy court of inquiry had taken evidence, Hearst's Journal ran a banner that the ship was "the work of an enemy" beside a $50,000 reward box (Card stacking). Pulitzer's World led the same day with "bomb or torpedo", though its deck admitted the officers were in doubt. The inquiry of March 1898 reported an external mine; a 1976 study judged an internal fire more probable, and the cause remains debated. Historians of the "yellow press" also question how far the papers caused the war.
Content note: Photographs of emaciated, starving Cuban civilians reproduced in an 1898 American magazine cartoon. This object is shown as it was published. Why 
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Judge of 7 May 1898 set the wreck and photographs of starving Cubans on facing album pages. Judge of 30 April showed Spain trampling a child and a dead sailor and borrowed Sherman's line on war (Fear appeal, Scapegoating).
Cuba before the war, 1896

Puck cast the conflict as a stage melodrama in June 1896, two years before the declaration of war (Name-calling, Transfer). A November 1896 cover drew Cuba and the Philippines as armed boys that Spain could no longer hold. A New York fair committee's souvenir lithograph of May 1896 gathered portraits of five insurgent leaders under the Cuban flag.
The Spanish side

The Madrid weekly Blanco y Negro drew the United States as a machine turning rubbish into Yankees (April 1896) and, in May 1898, as a coward holding the insurgents on a platter. Its July 1898 full page praised Spanish infantry at the Zapote river in stacked virtue words (Glittering generalities). The same techniques appear on both sides.
The Philippine war, 1899 to 1900

After the peace of 1898 the American press argued over the new territories. Puck's "School Begins" and Judge's "The White Man's Burden" (1899) present annexation as teaching and duty. A stereograph sold to households captioned dead Filipino soldiers as a sacrifice to Aguinaldo's ambition, and Puck in 1900 drew American anti-imperialists as Aguinaldo's guard. From the Filipino side the collection holds Aguinaldo's decree of 3 August 1900 offering rifle money to soldiers who surrender.
What the collection does not hold
- Not here: US recruiting posters and volunteer appeals of 1898, Rough Rider imagery, and sheet music or advertising of the war.
- Not here: Cuban insurgent leaflets and newspapers, and Filipino newspapers and posters beyond the one decree.
- Not here: the Spanish daily press, and Spanish government statements.
- Not hosted: the 1902 "kill every one over ten" cartoon is catalogued but has no hosted image.
See also: Cuban propaganda posters.
Sources and further reading
Sources
W. Joseph Campbell, The Year That Defined American Journalism (2006).
W. Joseph Campbell, The Year That Defined American Journalism (2006). Library of Congress, Prints and Photographs Division. Wikimedia Commons. Each item in the grid carries its own source and rights note.






!["'War is Hell.' Sherman, [but] Peace in Cuba under Spanish Rule Is Worse than Hell" (Judge, 30 April 1898)](../collection/images/war-is-hell-sherman-peace-in-cuba-judge-1898.jpg)







